In the history of ancient Chinese clothing, the Sui and Tang Dynasties were an extremely important period. The clothing of this period not only occupied an important position in history, but also had extremely unique expressions in art. Among them, women's underskirts represent the fashion and culture of the Sui and Tang Dynasties and are an important part of Chinese costume art.
The artistic characteristics and origins of women's underskirts in the Sui and Tang Dynasties are an extremely important research direction in the history of Chinese clothing. From the perspective of styleIn terms of degree, the style configuration of women's underskirts during the Sui and Tang Dynasties was relatively complete, with the neckline shape being the main structural change. The causes of these style features are multifaceted.
The first is the influence of internal factors such as religious belief and the improvement of women's status.
Under the influence of Buddhism and Taoism, women's social status has been improved, which is also reflected in the clothing, with more complete styles. On the other hand, the Silk Road background during the Sui and Tang Dynasties also had an impact on the formation of clothing styles.
The continuous deepening of diplomatic, commercial and cultural exchanges during the Sui and Tang Dynasties provided more possibilities and elements for the evolution of clothing. In addition, the clothing system of the Sui and Tang Dynasties also provided guarantee for the formation of styles.
Regarding the style and artistic characteristics of women's underskirts in the Sui and Tang Dynasties, we not only need to understand their formal characteristics, but also need to delve into the social, cultural and historical background behind them.
Only by understanding these backgrounds can we better understand the formation and evolution of styles, and better appreciate and study the artistic beauty of women's underskirts in the Sui and Tang Dynasties.
The analysis of the causes of women's underskirt clothing in the Sui and Tang Dynasties is not only limited to internal factors, but also involves external factors. For example, during the Sui and Tang Dynasties, the economic situation between the north and the south gradually approached, and waterway transportation matured. North-south transportation was strengthened to promote economic construction in the Jiangnan region and form "hard power" adapted to local conditions.
At the same time, the color printing and dyeing industry and the silk weaving industry in the Jiangnan region have gradually emerged, forming a unique "soft power". These factors promote the selection and use of clothing colors, which in turn affects the development and changes of styles.
In addition, the regulations of the central government system in the Sui and Tang Dynasties also provided guarantee for the formation of the artistic features of women's skirts and skirts. Therefore, the pattern artistic characteristics of women's underskirt clothing in the Sui and Tang Dynasties are characterized by precise composition, rigorous organization, complementary structural lines, as well as realistic diversification, abstract inclusiveness, and the harmonious coexistence of realism and abstraction.
In short, the style and artistic characteristics and causes of women's underskirts in the Sui and Tang Dynasties are multifaceted, including religious beliefs, the improvement of women's status, the background of the Silk Road, the economic proximity between the north and the south, the development of the color printing and dyeing industry and the silk weaving industry in the south of the Yangtze River, and the central government system regulations and other factors.
These factors jointly promoted the evolution of women's skirt clothing and the formation of artistic characteristics during the Sui and Tang Dynasties, providing important reference value for the study of Chinese costume history and cultural history.
Among the costumes of the Sui and Tang Dynasties, the skirt was one of the most common costumes for women. The underskirt is not only practical, but also an important means of showing off a woman's charm and identity. In the design of underskirts, color is an important element that cannot be ignored, and it is also an important means of expression for women to show their charm.
The artistic color characteristics of women's underskirts in the Sui and Tang Dynasties were elegant and steady cold tones and bright and breezy warm tones. Among them, elegant and steady cool colors such as black, gray, white, blue, green, etc. can achieve the atmosphere of clothing colors and convey a deep and steady atmosphere.
Bright and breezy warm colors such as red, yellow, orange, etc. can create a brisk and lively feeling, adding a feminine temperament to women.
The formation of these color characteristics is closely related to the social, economic and cultural environment at that time. During the Sui and Tang Dynasties, the economic situation between the north and the south gradually approached. The commercial economy and printing and dyeing industry in the south were relatively developed, while the animal husbandry industry dominated the north.
These different economic backgrounds and regional cultural differences also provided a variety of choices for clothing colors in the Sui and Tang Dynasties. At the same time, due to the continuous deepening of cultural exchanges during the Sui and Tang Dynasties, the colors of clothing were also affected by various cultural elements, thus showing more colorful characteristics.
In general, the color and artistic characteristics of women's underskirts in the Sui and Tang Dynasties profoundly reflected the characteristics of the social, economic and cultural background at that time, and demonstrated the charm and identity of women. These color features not only allow people to better understand the clothing culture at that time, but are also loved and learned by people today.
In addition, the color and artistic characteristics of women's underskirts in the Sui and Tang Dynasties also reflected the aesthetic taste and cultural atmosphere of the time to a large extent. At that time, people's understanding and application of colors had reached a very high level. They paid attention to the matching and application of colors. At the same time, they also conducted profound thinking and research on the symbolic meaning of colors.
For example, during the Sui and Tang Dynasties, black was regarded as a noble and mysterious color and was often used in the costumes of the court and nobles. White has been given the meaning of purity and elegance, and is often used in women's weddings and other occasions. Red often represents celebration and happiness, and is often used in clothing for important occasions such as weddings and the Spring Festival.
The symbolic meaning of these colors had widespread consensus and recognition at the time, and became an indispensable part of people's daily lives.
In addition, art forms such as painting and literature during the Sui and Tang Dynasties also had a profound impact on the use and expression of clothing colors. In paintings, artists use color to represent peopleThe character and emotion make color an indispensable part of the picture. In literary works, color is also widely used to describe characters and plots, and has become an important element in literary creation.
To sum up, the color and artistic characteristics of women's underskirts in the Sui and Tang Dynasties were a multi-faceted cultural phenomenon. It not only reflects the social, economic and cultural background of the time, but also reflects the aesthetic taste and cultural atmosphere of the people at that time. Therefore, when we appreciate and learn from the costumes of the Sui and Tang Dynasties, we also need to appreciate their cultural connotation and artistic value from the perspective of color.
Clothing patternsDuring the Sui and Tang Dynasties, the pattern artistic features of women's underskirts played an important role in the entire costume art. These characteristics are mainly reflected in the precise composition, rigorous organization, complementary structural lines, as well as the diversity of realism, inclusiveness of abstraction, and the harmonious coexistence of realism and abstraction.
First of all, the pattern composition of women's underskirts in the Sui and Tang Dynasties was very precise and rigorously organized. The structural lines complement each other and form a beautiful and coordinated whole. These characteristics reflect the technology and design level of the handicraft industry at that time, as well as the pursuit of beauty and changes in aesthetic concepts of the times.
Secondly, the patterns of women's underskirts in the Sui and Tang Dynasties are characterized by diversity of realism and inclusiveness of abstraction. Realism and abstraction coexist harmoniously. This characteristic reflects the diversity and inclusiveness of society and culture at that time, as well as the changes in the times.Changes in aesthetic concepts.
There are many reasons for the artistic characteristics of these patterns. First of all, the spread of patterns in Buddhist temples and Taoist temples influenced the pattern design of women's underskirts in the Sui and Tang Dynasties. Under the influence of Buddhism and Taoism, the images and symbols in patterns have been widely used and developed.
Secondly, the central government system and production of clothing also had an impact on the development of patterns. In the Tang Dynasty, Shaofu Jian and General Jian were established to strictly manage the clothing system and production of the national handicraft workshops, creating a mature and comprehensive pattern textile handicraft industry. These factors provide conditions and foundation for the formation of pattern artistic characteristics.
In short, the pattern artistic characteristics of women's underskirts in the Sui and Tang Dynasties were an important part of the costume art at that time, showing the technology and design level of the handicraft industry at that time, as well as the pursuit of beauty and changes in aesthetic concepts of the times.
The causes of these characteristics are closely related to the influence of Buddhism and Taoism, and the central government's system and production of clothing. The artistic features of women's skirts during the Sui and Tang Dynasties were not only an important expression of the culture at that time, but also had a profound impact on the development of clothing art in later generations.
The artistic features of women's skirts in the Sui and Tang Dynasties still have a wide influence on today's clothing design. Many modern clothing designers draw inspiration from the patterns of the Sui and Tang Dynasties and apply them to modern clothing design, making modern clothing have a fashionable and artistic flavor while inheriting ancient culture.
It is worth noting that the development of the pattern artistic features of women's underskirts during the Sui and Tang Dynasties was not only affected by the socio-economic and cultural environment, but also in turn played an important role in promoting the socio-economic and cultural environment. In this process, the development of pattern art also became one of the important aspects of cultural exchange and integration during the Sui and Tang Dynasties.
The artistic characteristics of patterns in the Sui and Tang Dynasties continued to absorb and integrate foreign cultures during their inheritance and development, and constantly adapted to and led the changes of the times, demonstrating the spirit of continuous innovation and development of the Chinese nation.
To sum up, the pattern artistic characteristics of women's underskirts in the Sui and Tang Dynasties were an indispensable and important part of the costume art at that time. Its precise composition and rigorous organization reflect the technology and design level of the handicraft industry at that time, while its harmonious coexistence of realistic diversity and abstract inclusiveness reflects the pursuit of beauty and changes in aesthetic concepts of the times.
The causes of these characteristics are closely related to the social and cultural conditions at that time, and they also had a profound impact on the clothing art and cultural inheritance of future generations.
